
I suppose in some alternate universe we didn’t blow a seven-game lead with 17 to play. In this one, matters are otherwise. Congratulations Phillies.
|
I suppose in some alternate universe we didn’t blow a seven-game lead with 17 to play. In this one, matters are otherwise. Congratulations Phillies. First pitch minutes away. But there's always time for a good show tune*… Join us Leave your fields to flower Join us Leave your cheese to sour Join us Come and waste an hour or two Doo-dle-ee-do Journey Journey to a spot ex- citing, mystic and exotic Journey Through our anecdotic revue We've got magic to do Just for you We've got miracle plays to play We've got parts to perform Hearts to warm Kings and things to take by storm As we go along our way Intrigue Plots to bring disaster Humor Handled by a master Romance Sex presented pastorally Dee-dle-ee-dee Illusion Fantasy to study Battles Barbarous and bloody Join us Sit where everybody can see We've got magic to do Just for you We've got miracle plays to play We've got parts to perform Hearts to warm Kings and things to take by storm As we go along… Our way We've got Foibles and fables To portray As we go along Our way Let's Go Mets. Let's Go Nats. *Pippin was advertised incessantly on local TV in September and October 1973 in a commercial much like this one. You Gotta Believe in timing. All right brain, you don't like me, and I don't like you. But let's just get me through this and I can get back to killing you with beer. Tom, we've had a strange relationship for five seasons. I made no secret that I never wanted you to be a Met and you always gave me the impression that the car to take you to the Delta terminal was idling out front. But you stayed and I learned to respect you. I celebrated your 300th victory along with everybody else, and when — on that day they gave you 300 golf balls — you said you understood how we had felt about you because you had felt the same about us, I found myself truly liking you for the first time. So we're in this together, you and me. I know you're a cool, calm customer, I know you've pitched World Series games and won them. I know you pitched some big playoff games right here last year. This is bigger than all that. This may be the last time you pitch for us. It's surely the first time I've felt you're pitching for me. There is no distance between us any longer. You're my favorite Met today. You're my man. Go pitch the way Tom Glavine can. Do it for us one more time. Do it for me this once. If other occasions arrive in the near future, we'll deal with them then, but for now, there is only today. There is only you. You and me, Tom. We can do this. Let's Go Mets. Let's Go Nats. Yesterday I would not have believed That tomorrow the sun would shine Then one day you came into my life I am alive again —Chicago (the group, not the Cubs) Five straight dreary night games gave way to a Saturday afternoon like few others in the history of the old multipurpose stadium hard by the Grand Central. Shea had, however, but one purpose as of 4:15 PM: Mets. Victory. Tomorrow…now today. Baseball gives us 162 games. May as well use them all. The Mets decided to take advantage of their full-season plan and show up for the penultimate date of the year like they haven't shown up since…who can even remember? And for those 99.99% of us who were writing off the 2007 Mets after only 98.76% of the games were accounted for, we have one purpose, too: Root like hell to the very end. Good night to night games. Good afternoon, sunshine. Good morning and welcome back to a tie for first place. Mets maul Marlins. Nats nip Phillies. After an incredible Saturday in the park, don't you know we're feeling alive? Yes, I was at the game yesterday. Yes, it was an extraordinary experience. No, I didn't see it coming. No, I can't quite believe what's happened on the heels of everything else I couldn't quite believe happened. Yes, we are alive again. And yes, when I said goodbye to somebody who sat near me Saturday, I uttered words I never thought I'd hear myself saying after Friday night: “See you in the playoffs.” That wasn't Mets Marketing Dept. “Your Postseason Has Come” bravado, trust me. That wasn't the haughty, arrogant, presumptuous attitude that nearly killed us before the 162nd game. That was plain and simple confidence. It's too late for anything else. Oh, here's another word I didn't utter for a very long time Saturday: no-hitter. In the wake of the pennant race developments that are foremost in any happy recap of this sanguine Saturday, it's not exactly sidebar material that the first no-hitter in Mets history was one squibbish roller and three outs away from occurring. John Maine, as you're probably keenly aware, had it Goin' On. This was the John Maine who was once National League Pitcher of the Month, who was once an All-Star candidate, who was once a pleasant surprise. This was that John Maine times a thousand. Fourteen strikeouts. Overpowering. Untouchable. And 23 outs without a hit. The phrase I kept coming back to was “All right, John — let's go.” I heard myself saying it in the fourth after a pitch, so I just kept saying it. “All right, John — let's go.” And John went as long as he could. He still hasn't given up anything like a legitimate base hit. The dagger in the heart of history of course rolled 45 feet and not foul. When Paul Who?ver half-swung, half-bunted and totally fucked with our hearts, time kind of stopped. It wasn't going to get to Wright and Wright wasn't going to get to it and it wasn't going to cross over a line and this nonentity of a third-string catcher actually had the nerve to run instead of doing what big-shot ballplayers do when they're not sure where a ball is going. Doesn't Paul Who?ver know to just stand there and get thrown out? With John Maine's 115th pitch, he was removed (I was already envisioning him lifted after eight regardless of no-hitter because Pitch Count Is All). I knew what was next. I knew we had to stand up and applaud Maine's brilliant stab at Met immortality. Then I knew we had to continue as he walked to the dugout. But I didn't have it in me. I clapped weakly and trudged away. I hadn't been to the bathroom the whole game (who's superstitious?) but mostly I had to go hit something (the vacated cheesesteak stand did nicely) and slam something (men's room door) into a wall lest I moisten anything (like a tissue). Yeah, I know. Fourteen strikeouts. One hit. A large shutout in progress. Alive again where it matters. (And we're not the Pirates.) Why cry? But I think I can speak for the 54,675 in attendance when I say as Mets fans, we wanted this. We really wanted this after going without for 46 years. The first guy sitting near me who said, maybe in the fourth, “Maine looks good” was immediately shushed by three people. We knew we wanted this. What a sudden possibility the first no-hitter in Mets history became. How quickly it departed. The longest no-hit bid in three years would come amid the first certifiable Mets brawl in eleven years. What a marriage of sublime and ridiculous. I watched highlights later and heard explanations on the radio, but from what I can tell, the Mets were letting out their pent-up frustrations and the Marlins suck as human beings. I'd seen the benches clear between these two teams six years ago (when Todd Zeile informed Brad Penny he could “suck on this for Shinjo” after a close shave and a homer), but never twice in one game and never with real action. If they ever want to juice baseball ratings, they need to work in more mêlées. The crowd loves a good fight. The crowd instantly redeemed Jose Reyes' numbskullishness (RUN! IT'S FAIR! EVEN IF IT'S NOT! RUN!) after being the target of Miguel Olivo's rabid doggery. Who said nobody cares about the Marlins? Fights are fun — you know it's fun when you see Paul Lo Duca playing peacemaker — unless you have a pitcher who has a no-hitter in progress sitting on the bench for an extra ten minutes. You just hoped Maine wouldn't run out there…and hoped that maybe Dontrelle Willis would be very proactive and maybe sacrifice his left arm for the honor of the teal and black before the morrow. No such luck on the latter as far as I know. I'm not clear whether his general flashiness was a flashpoint in any of this, but Lastings Milledge played and hit two home runs and apparently didn't speed around the bases with his head down to somebody's satisfaction. It was wonderful after wondering if he'd retired or something to see Lastings with the lid off, sparking this club on offense like Maine did on defense. Big game for everybody, I suppose — David Newhan drove in an entire run, for goodness sake — but Milledge really bubbled up. Hope Willie doesn't decide Veteran Experience trumps the Lastings effect and start lefty Green (or lefty Staub) versus lefty Willis today. I'd also like to see Castro hitting and throwing though Glavine seems to prefer pitching to Lo Duca. I prefer Glavine not gag as he has lately on this, probably his final regular-season start as a Met, ever. A day in the sun really whets your appetite for another. The Friday night crowd, as faithful as it was, had its share of Characters. Met Mobile Met Man and Met Cape Man and Met Man Who Feels Need To Lead Cheers, Man were all on the loose and drawing attention to themselves…how come Mr. Met isn't good enough for everybody? Though he didn't wear a costume, I got quite a kick out of the guy sitting next to Jim who insisted Ollie's control problems were for the best because hitting the Marlins three times in one inning intimidated them — as their 7-4 win would indicate. They only come out at night, I suppose. The Saturday afternoon crowd in the mezzanine wasn't any calmer, just less bizarre, perhaps because the game was bizarre enough. I should qualify this assessment, however, to account for the sighting of what I must term The Four Morons of the Apocalypse. While the Mets were mounting their big lead, a quartet of, well, schmucks in Phillies caps and t-shirts proclaiming in blue and orange lettering CHOKE '07 paraded by with a Mr. Met doll in a noose. Wow, I thought, this Utley crew is really asking for it, both in terms of rocks and garbage (security escorted them out for their own safety) and karma. The Phillies have spent exactly one day alone in first place and your first move is to taunt the team behind them that was still technically alive? Hours later, they got it in spades. What a bunch of Lohsebags. You know what kind of day it was? After the no-hitter dissipated and after the top of the eighth ended and while the XM Singalong was touching me, touching you, a gentleman in an American flag t-shirt several rows behind me stood and began to sing, in full operatic splendor, “God Bless America”. I feared we had just invaded Iran. Never got an answer for why he did this. My friend, Jodie, a Saturday Section 10 regular (I think, based on her own reaction to the end of the no-hitter, that she's also my long-lost if non-identical twin sister), said he wasn't some highly cultured Kowalski; she'd never seen him there before. His spontaneous rendition reminded me of how Archie Bunker would attempt to stifle all argument with Meathead by bursting into patriotic song. Except this was actually beautiful — the dude could belt it out. We were all genuinely moved to join in. “God Bless America,” indeed. When your season stops being over before it's over, you're not shy about invoking Anybody who may have had something to do with it. Two other Saturday oddities: • I saw Coop from My Summer Family again. When I say again, I mean as usual. I mentioned seeing her two weeks ago at the final disastrous Phillies game. Well, I ran into her Thursday night. And not only did I see her Friday night, but I was sitting behind her cousin (he was our section's self-appointed cheer squad). Saturday she was sitting two rows in front of me. 54,675 tickets sold and two bloggers wind up within easy phantom high-five distance of one another…again. We agreed that one of us is stalking the other. I assume I'll see her at Shea today. You can be certain I'll be there. • I was supposed to change at Jamaica to get the train to Woodside on the way to the game but didn't. That may not sound like much, but it was momentous. I've never not gotten off at the right stop for a Mets game. Most of our train assumed we'd get a Woodside platform but we didn't. I kind of knew better — there was no announcement but the digital readout was a great hint. I just didn't act. I saw Woodside whoosh by and I wasn't terribly alarmed. Thus we had to go all the way to Penn Station and then grab a Port Washington train east to Shea. Don't you see? I willfully, maybe passively ignored the danger signs that indicated I wasn't going to get where I was going the easy way. I let it go so far that I was bumped off-track from the route to my destination when in fact my destiny had plainly been in my own hands. I made it more difficult on myself than it had to be. Yet everything worked out all right in the end. Sound like any team or season you know? Getting your bearings when you show up in the middle of a radio broadcast is always hard, and generally at least mildly comical. So it was with me, back in New York more or less for keeps. The second the plane from Salt Lake City hit tarmac at JFK, I flipped on my radio. Something big was going on — that much was obvious. The crowd was roaring “JOSE! JOSE! JOSE! JOSE!” The crowd sure didn't sound like it was on the wrong end of a 7-1 score. But then Howie and Tom were talking about a fracas, something Jose was in the middle of. Jose Oliva Alomar DiFelice Not Thrown out Bucknor Now at Third JOSE JOSE JOSE JOSE. That's what I was left trying to process, with my ear and the earbud and the radio and my hand and the airplane window making a rather ludicrous sandwich. Oh my goodness, I thought — have the Mets finally engaged in their first fisticuffs since Pete Harnisch decided Scott Servais's attitude would be improved by some shots to the jaw? I was briefly pleased — it's fairly amazing and somehow faintly unmanly for a baseball team to go 11 years between dust-ups, and Reyes seemed not to have been excused from the proceedings. But then I got paranoid. Maybe things aren't so good after all. Maybe I'm hearing the crowd finally releasing all its emotions because the Marlins are up 4-1 but the Mets are being rather literal about showing some fight. Nope. As if he'd known I'd be coming in late, Howie Rose rather breathlessly noted that there was a lot going on for a game that was only half-over. The Mets are up 10-0 and John Maine is throwing a no-hitter, he explained. Oh. OH! It took forever to get home — JFK to the Van Wyck to the LIE to the BQE, with traffic all the way. I didn't care. The cabbie had the game on, and obligingly turned it up for me. As Maine came closer and closer to history, I found myself fretting. How typical for the Mets' first no-hitter to be a deck instead of a hed. (Newspaper talk, but you get the idea.) One of the first Faith and Fear blog posts I ever wrote in my head was about the aftermath of that impossible-to-imagine feat. After Andino's ball took a funhouse hop off Wright's knee to Reyes' glove, I started wondering if I should stick to the program and unleash that long-ago-composed post, or scrap it for the bigger news of the day. Mike Jacobs struck out as the taxi neared Brooklyn Heights (five outs to go), so I started worrying about jinxes. What if I walk in the door and some Marlin call-up immediately gets a hit? Shouldn't I stay out on the stoop listening to the radio? But that's insane — Maine was recording outs when I was 30,000 feet over the Midwest. And all the time I'm worrying about the Phillies and tomorrow and what it all means, annoyed with myself for being preoccupied with the sideshow of the no-hitter when we were still trying to ram our way back into the big top. The Mets being the Mets, Maine of course didn't do it — Paul Hoover's little worm-killer won him admission to the Clubhouse of Curses, and Maine had to content himself with a performance that was merely godlike. Paul Hoover, Jeez Louise. Tom McCarthy was going on and on about how the Marlins' lineup was now without Hanley Ramirez and Miguel Cabrera (whose pathetic sloth would probably have gotten him thrown out, had he switched places with Hoover). Tom clearly thought this was of import, but I was shaking my head. Didn't he know it's always the guy you've never heard of — the Kit Pellow or Jimmy Qualls of the roster? Paul Hoover is a 31-year-old journeyman catcher who arrived at the ballpark today with eight career hits. Of course it was going to be him. If you'd told me the Marlins would keep us in the no-no cold with a 45-foot dribbler with two outs in the eighth and showed me the roster, I would have pointed right to Hoover. Because I'd never, ever heard of him. And you know what? Who cares. Maine pitching a one-hitter, Maine pitching a no-hitter, Anderson Hernandez getting the win in emergency relief in the 23rd inning — the only thing that mattered today was that W. And we got it, and the L from Philadelphia a couple of hours later. (And a much-needed L from San Diego not long after that, with the Padres' postseason celebration was delayed by Tony Gwynn Jr. Baseball doesn't need surrealists — the surreal is built into the very fabric of the game.) Our season could have ended today, but it didn't. And now matters are clear: Win, and get to play at least one more game. For a team that's battled complacency and a fan base that's struggled with its own expectations, that stark simplicity should concentrate the mind marvelously. Tomorrow is enormously simple and simply enormous. We rooted like hell. They played like crud. We the fans may be Mets in every emotional way, but it was proven again Friday night that we the fans cannot hit, hit with power, run, throw, catch and pitch. And…wait for it…neither can the Mets. Either way, we're all on the outside looking in now. We are not in first place, which is in and of itself not a crime. I would contend, however, vacating first place two games before the season's end after holding it so seemingly tight for so long should be. Then again, having to be a part of this team looks like punishment enough from here. I've made the mistake of flipping on the Mets' flagship radio station during the day this week and being told that Mets fans weren't showing up and weren't showing support. Of course I'm only some guy who's been out there among tens of thousands of Mets fans for three consecutive nights, so maybe I don't know what I'm talking about, but there have plenty of Mets fans at Shea this week and there has been plenty of support. Anybody who thinks this fan base hasn't gotten behind its team to the cusp of the bitter end is clearly looking or listening for a storyline that does not exist. These fans, of which I was one of 55,298 (more or less), were great last night. With every reason in the world to turn our collective back on the Mets, we didn't. We roared from the first pitch. Even when succeeding pitches proved inadequate, we kept roaring for our team. There was no mass booing, even though there was every reason to produce it…if, in fact, you are the type who is inclined to empty corrosive fluid out of your lungs. Perhaps it shouldn't be noteworthy that fans of the local team attended the local team's sporting event and cheered enthusiastically for the local team, particularly with the local team tied for first place and time running out. Perhaps it shouldn't be worth noting, but after so many losses in so short a span with such dreadful consequences for the local team's position in the standings, I think it is. The Mets did not play nearly as well as we rooted. They fell behind, but we rooted for them — hard. They stayed behind, but we rooted for them — harder. I tend to forget that a lot of people who show up to Mets games are relatively uncomplicated people. They don't overthink the issue. They show up and they want their team to win. They don't come up with reasons to be down on them away from the ballpark and they find ways to encourage them once they're there. That's who was at Shea Friday night: Mets fans who wished the Mets would win. It was the best part of this game and maybe this season. My night began as it almost always does, on the 6:11 to Woodside. As I rode and listened to my Amazin' playlist (you don't wanna know what's on there), I found myself recalibrating the default memory of my fanometer. I was no longer set on 1998, the choke. I clicked forward a notch to 1999, when the circumstances were maybe more dire (seven consecutive losses and a bigger Wild Card lead being blown) but the outcome (win, win, win, a little help) much more rewarding on the final weekend. I realized I was no longer rooting for the 2007 Mets. I was rooting for just the Mets — the institutional Mets who are capable of pulling a 1999, the Mets who give us reason to believe and hope even when they stumble, even when they fall as they did in 1998. I was rooting for the Mets who made me the fan I am today, all of them. It just happened to be 2007 while I was doing it. I think that's what a lot of the people at Shea Stadium were doing Friday night. The names they wore and chanted and beseeched may have corresponded to those on the field, but this wasn't all about Lo Duca and Beltran and Wright and Reyes and Alou and Green. It wasn't necessarily about Piazza and Alfonzo or Knight and Backman or Agee and Koosman either. It was about being a Mets fan, being in it for better or worse, thinking that worse isn't what this has to be. Thinking that maybe if we do our best for them, they'll do their best for us. If that's a clichéd portrayal of what a Mets fan is, then just say we spent Friday night at Cliché Stadium. If the Mets did their best, their best isn't very good. Their best hasn't been close to worthwhile for weeks. Maybe these Mets just aren't very good. I didn't take a train home. My friend for all seasons Jim had parked in the Southfield (they named the lot across Roosevelt this year like a gated community for some reason) and offered me a ride. By the time we pulled out, we were fuming at the result as you'd expect. I'm loyal. Jim's loyal. Jim's so loyal that he eschewed his threat to drink six beers and boo everything in sight so he, too, could root like hell. But our loyalty doesn't cloud our judgment. And as Jim drove and Willie Randolph and David Wright offered their critiques and excuses on Mets Extra, we fumed more. Jim and I were owed at least one beer for our trouble, so we stopped in a watering hole he knew not far from where he grew up. And after letting loose an ear-steaming monologue probably far more entertaining than anything I am capable of piecing together at the moment, I noticed I had become another cliché: my head was literally on the bar and I was figuratively crying in my beer. I'm somewhere between my cliché personas now. There are two games left for the second-place Mets just as there are for the first-place Phillies. Those need to be played and I'm still capable of acknowledging that games that aren't yet won or lost are still up for grabs. The Mets could win Saturday. The Phillies could lose. For technical reasons, I will continue to root like hell when I make my fourth consecutive appearance at Shea today. But otherwise, I'm nearly as resigned to the fate of the 2007 Mets as the 2007 Mets indicated they are by their dismal actions on the field Friday night. If they played the way we root, this thing would have been wrapped up in August.
Well, it worked on the Red Sox when DiamondVision jumped the gun. LET'S GO METS! If it’s the final Friday of the month, then it’s the ninth installment of the special Top 10 Songs of All-Time edition of Flashback Friday at Faith and Fear in Flushing. In the late summer of 1974, the foundering Mets decided to give anybody and everybody a try. Their first-time callups that August and September included Randy Sterling, Rich Puig, Nino Espiñosa, Ike Hampton, Bruce Boisclair, Brock Pemberton and Benny Ayala. Though some of those names resonate among Mets fans to this day, most of them came and went quickly. By this measure, never were the New York Mets and the pop chart in tighter sync than they were that year. Except that while the Mets lost 91 games in 1974 and were generally depressing to watch (Ayala homering in his first big league at-bat notwithstanding), music was never better. My proof, the only proof I’ll ever need for this grand assertion, is The Top 500 Songs of All-Time, a survey that covers the years 1972 through 1999. One year among the 28 it encompasses towers above the rest in terms of sheer volume. That would be 1974. Of the 500 songs recognized as the best ever by me, 50 of them — 10 percent — were hits in 1974. From New Year’s Day to New Year’s Eve, the radio was a cornucopia of pop and soul greatness. These were twelve months when music absolutely peaked, the climax of an era that, in fact, established music as a life force for the only person whose taste has ever been of any concern in this corner: Me. Fifty songs from 1974. Forty-one from 1973. Thirty-four from 1972. That’s 125 out of 500 from the first three years when I took music seriously. That’s a quarter of the list right there. Thirty more songs would be added from 1975, meaning that I had pretty much decided what good music was before I was Bar Mitzvahed. I decided it was “The Night Chicago Died” by Paper Lace. It was a lot more than that in 1974, naturally. It was “Rock Me Gently” by Andy Kim and “Hang On In There Baby” by Johnny Bristol and “Tell Me Something Good” by Rufus and “Radar Love” by Golden Earring and “Beach Baby” by First Class and “Free Man In Paris” by Joni Mitchell and “Rikki Don’t Lose That Number” by Steely Dan and “Sideshow” by Blue Magic and “Waterloo” by ABBA…and that was all in the span of a couple of months from approximately July to September of 1974. While the post-Believe Mets were definitively receding from contention, the radio, my radio, was rising to the occasion, even if some of those artists didn’t endure in the popular imagination any more than Randy Sterling or Rich Puig did for Mets fans. Right in the middle of this high tide was a group from England whose name seemed rather strange to me singing about a city in America that, to the best of my knowledge, was relatively alive and well. I had only the vaguest idea of what “The Night Chicago Died” was supposed to be about. But what I did know more than made up for it. It was exciting. It was thrilling. It was suspenseful. It had sirens! When I hear “The Night Chicago Died,” it turns me back into an eleven-year-old…not from a reminds-me-what-I-was-doing-that-summer standpoint, but by appealing to my preteen values of what’s exciting and thrilling and suspenseful. Namely a song with sirens and stage whispers and martial drums and gruesome body counts and sound effects intended to replicate a clock and a round of indefatigable na-na-na’s and rhymes so obvious that you couldn’t believe every song on the radio hadn’t seen the genius in pairing night with fight, all with wall, said with dead. Seriously, I’m 11 when I hear this. This is, like, the coolest song…EVER! I would have to say “The Night Chicago Died,” as the No. 1 song of the No. 1 year of All-Time (and remember, I do deal in absolutes in this arena), makes a case for being, well, the No. 1 Song of All-Time. It ranks, however, as No. 2. A very strong No. 2. I would go as far as to call it the people’s champion, the highest-flying song on my survey that isn’t No. 1. No. 1, as we’ll discuss four weeks from today, is set in stone. It can’t be moved, can’t be dislodged. (It’s probably the way Mets fans of a certain vintage view 1986 in relation to 1969, that nothing can top the first time.) With “American Pie” inviolable in my esteem, “The Night Chicago Died” deserves to be categorized as the best of the rest. It really is. I love this song so much. I loved it at 11, I renewed my fealty for it at 22 and today, at 44, I’ve yet to hear anything that’s come along since that I like nearly as much. And according to my heartfelt calculations, I like 498 songs nearly as much. My affection for “The Night Chicago Died” was both instant and delayed. I fell for it immediately and I would fall it for all over again. The first time was explosive. It sounded, as so many songs that captivate me, like nothing else on the radio. It sounded nothing like “Billy Don’t Be A Hero,” which would be neither here nor there except Paper Lace dipped its first toe in the charts with its version of that song, one far better known by its Bo Donaldson and the Heywoods incarnation. The two groups had what is known as a cover battle and Paper Lace got its ass kicked, No. 1 to No. 96. The Lace wasn’t going to stand for it. The songwriting team of Mitch Murray and Peter Callendar penned a quick ditty that nobody else in their right mind would cover (though why there was such a rush on “Billy,” one of the few 1974 hits that I outright disliked, is beyond me). It had Paper Lace written all over it. It must have. It zoomed to No. 1 for a week in the middle of August, practically straddling the line between the Nixon and Ford eras in American history…which is funny in retrospect since it attempted to reflect another era in American history and mangled several essential details. My daddy was a cop OK. He’s your daddy. Can’t argue with that. On the east side of Chicago First problem. There is no east side of Chicago nor any streets of the old east side, according to Chicagoans. There is a north side (Wrigley), south side (Comiskey) and west side (where the Bulls roam). To the east of those sides there is a lake. A great lake. But no east side where one could be a cop. Back in the USA Historical, dramatic and creative license is taken with the narrative throughout. I guess if you want the St. Valentine’s Day Massacre told accurately, go read a book. If you want an imaginary version of Al Capone trying to make that town his very own, you’ve got a 3:30 45 from the UK. Murray-Callendar (not to be confused with Murray Hewitt, manager of Flight of the Conchords) weren’t exactly Illinoisans. Neither were Paper Lace, which was composed of vocalist/drummer Phil Wright, bassist Cliff Fish and guitarists Michael Vaughn, Chris Morris and Carlo Santanna. They were Nottingham-based. Nottingham is the Lace City, which was good to learn eventually since I thought Paper Lace was a rather tepid name for such an AWESOME band. Anyway, the night in question…whoa, what a mess Chicago was. Al Capone was pretty demanding and next thing you knew “about a hundred cops were dead.” You know, being 11 years old in 1974 made you pretty desensitized — Watergate, The Towering Inferno — but that’s a lotta lawmen biting the dust in one night. Did Murray and Callendar have any sense of proportion? Apparently not. Just as well. If you’re going to create a musical cartoon, may as well go for it. And it’s not like there were no repercussions: ‘Til the last of the hoodlum gang See? It’s not like the bad guys were winning. And by the way, “surrendered up” is so much more action-packed than merely surrendering. Listen, it’s a stupid song, but it’s effective. The second half of the chorus could have been written by an 11-year-old: Brother what a night it really was You did not require a sixth-grade education to come up with that, or to have the wits to alternate “it really was” with “the people saw,” or to trade off “glory be” with “yes indeed”. Yes indeed, I never realized just how stupid this song is. But I don’t care. I love it even more now that I’ve gone about dissecting it. I can’t believe that I once read a critique of the so-called worst songs ever and “The Night Chicago Died” was included among the offenders. In fact, most every song on the list I’m thinking of that ran in 1988 (in the Daily News, compiled by two of their hopelessly elitist music critics, David Hinckley and David Browne) was from my beloved 1970s. A lot of critics never got over the fact that a) the ’60s ended and b) time marched on. It was that attitude, already pervasive as I became old enough to have enough to look back on, that bugged me. I saw nostalgia rise up in the ’70s for the ’50s. I saw it form in the ’80s for the ’60s. Why were the ’70s getting such a bad rap when they were barely yet the old days? Why did they have to be reflexively dismissed as the bad old days? This topic was top of mind on a night in early 1985. I had been invited to join my roommate and his friend to see KISS (makeup-free edition, cost-free tickets) at the Bayfront Center in St. Petersburg. I wasn’t really a KISS fan nor was I, at 22, within the target demo of the band judging by the rest of the crowd, so I wasn’t all that into most of the concert. That was until the final encore, “Rock And Roll All Nite,” which was a hit when I was in seventh grade…early 1976. For that I was up on a folding chair singing along. So were my roommate and his friend. A lot of the kids in the audience just stared blankly. MTV’s KISS oeuvre apparently didn’t reach back before “Lick It Up”. So the three of us are in the car heading back toward campus and reflecting on the dissonance of our loving KISS’s ’70s songs and other records we grew up knowing by heart and the institutional amnesia they had otherwise inspired. My roommate said yeah, you know what was a great song? “Run Joey Run” by David Geddes. It wasn’t, really, but I said yeah! And you know what else was great, I said…”The Night Chicago Died” by Paper Lace. Yeah, they said, whether they meant it or not. And whether we knew it or not, we were on the slippery slope to middle age. This was the first time I’d given serious thought to “The Night Chicago Died” since fifth grade became sixth in the fall of ’74. Paper Lace had followed me from Camp Treasure Island where we sang it on the bus to a family trip out west where I sang along to a transistor and back. It was a big for a long time that summer, but like most pop smashes by groups who didn’t follow up well (“The Black-Eyed Boys” peaked at No. 41), “The Night” and the band would fade from consciousness. That January night in Florida, I made it my mission to bring them back. 1985 became the year I became determined to revive the music of the 1970s. For several years, until Rhino Records picked up my cause, the sound of the battle rang as I wouldn’t shut up about it when given the opportunity to convince anybody — particularly my self-hating generational peers — that our music shouldn’t be written off. We need to appreciate this stuff. We loved it then. There’s nothing wrong with it now. Bought my first copy of “The Night Chicago Died” in the oldies section of a Sam Goody in the summer of ’85. Tuned into WCBS-FM every Saturday when they did their “This Week In…” Top 20 countdowns in the hope they’d throw me a bone (’twas sensational hearing it in my Toyota since I never got to drive to Paper Lace when they were hot ’cause I didn’t have my license when I was 11). And kvelled, absolutely kvelled, when the Mets swept four from the Cubs at Shea in June of ’85. When the fourth game was complete, guess — just guess! — what song was played over the stadium loudspeaker while Steve Zabriskie offered his wrapup. It may have been an afternoon affair, but it was “The Night Chicago Died.” (I tried to send those vibes to the Jets by playing my 45 over and over again when they took on the Bears in December, but there was no stopping the Bears Shufflin’ Crew.) There was hope for my ’70s yet. Rhino honored Paper Lace and a hundred acts like them with the Have A Nice Day series so I no longer had to rely on my poorly dubbed K-Tel tapes for sustenance. Meanwhile, the greater consciousness was receiving one ’70s earworm after another. I needn’t have worried that my music would be forgotten. Others remembered. It’s not like those of us who made those songs such big hits surrendered up or died. Hip-hop excepted, you don’t get story songs like that anymore. You don’t get that kind of violence glorified either. Do you get sirens anymore? The ’70s were the golden age of siren songs. “Indiana Wants Me” by R. Dean Taylor. “Armed And Extremely Dangerous” by First Choice. “The Night Chicago Died” by Paper Lace. Sirens and st…st…stuttering were very big in those days. Did any other song have a clock? I loved that, too. And there was no sound at all It came with a tick-tock. And they did it without computers. Maybe they used a real clock. I’d like to think Murray and Callendar were on a ladder under a cuckoo with a microphone capturing a clock ticking for posterity. I’d also like to think the door burst open wide and they complained bitterly that they’d have to wait another hour to get the tick-tock just right. That’s highly unlikely since nobody surrounding this second-greatest song of All-Time seemed terribly concerned with getting anything besides the hooks right. After telling the world that Chicago had an east side and lost a hundred peace officers to unfathomable gunfire, the boys’ management requested that Mayor Richard Daley ante up a key to the city or something proper when Paper Lace visited Chicago to promote its record. Go figure, but Daley’s office was not receptive. An aide is said to have told the band and the writers that they should “jump in the Chicago River, placing your heads under water three times and surfacing twice. Pray tell us, are you nuts?” Can you imagine someone not wanting to honor “The Night Chicago Died”? Now that’s nuts! *** On August 31, the last Flashback Friday devoted to music, I was in a store in Milwaukee where the radio was tuned to a station that was airing its own weekly feature known as — yup — Flashback Friday. I’d love to pretend they stole the concept from here, but of course I borrowed the gimmick from who-knows-how-many FM stations that have used one hour at the end of the week to look backward. Still, on the day we celebrated Del Amitri in this space, it was quite odd to hear a DJ in another city spinning Murray Head (No. 81 on the Top 500) in the same spirit that we today celebrate the likes of Paper Lace. No matter the decade, no matter the artist, it’s the universal language. The No. 3 Song of All-Time was heard at the end of August. The No. 1 record will be played at the end of October.
Next Friday: Crying in baseball. I can't tell you with any great conviction that there's any good reason to invest your faith in our team this weekend. Of course I can't. I was at the same game Thursday night that you were or watched. There was nothing about the Mets' performance to suggest they ever held a seven-game lead in their division or, for that matter, that they were about to be tied for first. The Cardinals — Albert Pujols, David Eckstein and a flock of random Redbirds — played like contenders, not the washed-out world champions they are. Journeyman Joel Piñeiro may as well have been the lost Dean brother, so effective was this Cardinal pitcher against these Mets bats. The only reason we were technically in the game for nearly two hours was that we had Hall of Famer and all-time legend Pedro Martinez giving again his all to this nearly lost cause. Pedro's made five September starts and has been exactly what the Mets needed five times. One unearned run in the first and two earned in the third, but unquantifiable guts and smarts otherwise. The best move Willie Randolph has made as Mets manager came in the seventh when he visited the mound after Pedro walked Rick Ankiel on four pitches to make it first and second with two out and Pujols looming. I may be crazy, but I thought Pedro wanted Albert. Pujols had doubled twice earlier. Pedro wasn't gonna let it happen again. The best move part was the manager leaving his starter in for one more batter. Willie sat down. Two pitches later, so did Albert. Pedro was done at that point, though hopefully not for calendar year 2007. As the ninth approached, I experienced the most horrible kind of déjà vu. It was 3-0 in the fourth-from-final game of the season, with the Mets' position in the playoff race tenuous, with the Mets having begun to lose alarmingly, with the Mets playing a team long out of it, with me sitting in the mezzanine hoping that somehow the Mets could get something going right here, right now. Except it wasn't right here, right now. It was right here, Wednesday, September 23, 1998, the Mets, one inning removed from sliding into a tie for the Wild Card with the Chicago Cubs, down three runs to the Montreal Expos. I sat and watched in disbelief as Jay Payton, Jorge Fabregas and Todd Pratt lined, popped and struck out against Uggie Urbina. It was the second consecutive loss for those Mets who had been one up over the Cubs when the week began. They would go to Atlanta, lose three more and be one behind them and the Giants when the week and the season ended. I tried to shake off the feeling that I was enduring 1998 again. We were sending up three legitimate hitters: Jose Reyes, Luis Castillo and David Wright. Unprompted by Kevin James or any other unwelcome recorded intrusions, about a third of the house drummed up a Let's Go Mets! It was sincere if short-lived. Reyes grounded out. Castillo grounded out. Wright flied out. It was another 3-0 loss, nine years removed from the same 3-0 loss. We were beaten for the fourth consecutive game while the Phillies were topping the Braves, yet it wasn't a booing night in Flushing. Maybe because of Pedro. Maybe because this was a makeup date and you had to go a little out of your way to find it. Maybe some of the more sympathetic souls at Shea took “makeup date” literally and felt conciliatory toward their team on this, the last evening they would spend alone in first place. By night's end, we had a roommate. Then there's the very real possibility that there wasn't a ton of derision because there wasn't a ton of concern or its sibling emotion, a ton of belief. You can't believe what you've seen since September 12: the Mets 4-10, the Phillies 11-3. After 140 quick minutes, we filed out like middle-schoolers from a mandatory assembly. It was cool to get out of class for a couple of periods, but that was pretty lame, wasn't it? Yes, it was lame. Yes, the Mets are lame. Yes, the Mets are choking on their own vomit in historic fashion. At first it was disturbing to watch. Then it was sad. Now it's barely anything. Except for this: There's a tie for first place in the National League East with three games to go. The Mets are one of the two teams in the tie. They didn't get here the way you'd want them to get here, the way the Phillies did. You'd rather rise than fall this or any time of year. But I've checked the rulebook and it turns out the Mets are still eligible to compete in and win the games they have remaining and the division as a whole. And that's what I hope they do. I mean I really hope they do. You know how they've disappointed us by their actions? You know how it looks as if they're going through the motions instead of to the postseason? You know how most of us who are lifelong fans have said we can't stand them? I don't care about that anymore. It may be as true as the drop has been precipitous, but I don't care about that anymore at all. I have rooted for this team since I was six years old. I'm forty-four. I've been at this nonstop for 39 seasons. I have lived — lived — to have my team be in a position to go to the playoffs every single one of those 39 seasons. It is all I ever wanted when it was unavailable to me. It has been unavailable to me almost every one of those 39 seasons by the time those seasons reached this juncture. There have been ten exceptions to the rule. There were the seven seasons when they made it; there was 1985, when they took it to the second-to-last day; there was 1998, when they took it to the last day; and there is 2007, when they are alive on the third-to-last day. I can't do a blessed thing about 1985 or 1998 anymore. But I can do whatever a lifelong fan can do right here, right now. As my Thursday night companion AlbertsonMets put it in a very perceptive comment on this blog yesterday, I am going to root like hell. I am going to be at Shea tonight, and I am going to root like hell. I am going to be watching on SNY Saturday, and I am going to root like hell. I am going to be back at Shea on Sunday, and whether there is still something on the line or not — and there may very well not — I am going to root like hell. I am going to root like hell for the Mets. Not because these particular players who have whizzed away a formidable lead like nobody before them necessarily deserve my unqualified support, but because I deserve to give it. I don't wander through the winters thinking how great it will be for the baseball season to come along so I can ignore my team or dismiss my team or decide my team is pointless, hopeless or worthless. I haven't been at this for 39 seasons so that when I am presented with a two-way tie for first place with three games to play I will act like I am too good for it. When the Mets clinched the 2006 National League East title, I told you this: We look at the script Mets on those uniforms and that's our name. That's us. However it happened, we became Mets a forever ago. We don't get paid. Doesn't even occur to us how much being Mets costs us in dollar terms let alone man and woman hours devoted to this cause we've made our own across each and every one of our lifetimes. We bleed, we sweat, we cry because, c'mon — what else are we gonna do? We can do everything for this team except hit, hit with power, run, throw, catch and pitch. So we do what we can. We wear them and we hope them and we yell them and we live them and we write them. We do it with only limited promise and no guarantee of success most years. We do it on the slightest chance that every now and then we can call ourselves the champion of something. It's not a dealbreaker when we can't, but it surely serves as a contract extension into perpetuity for us when we do. Hey, fellow Mets — there is only limited promise and no guarantee of success this year, but the slightest chance still exists. Don't pass it up. Root like hell for us. |
||
|
Copyright © 2026 Faith and Fear in Flushing - All Rights Reserved |
||